We Are Coming

Why I Wrote This Book
She survived twelve years of silence, a marriage that broke her spirit, a culture that asked her to shrink, and a night where her body stopped breathing.
But nothing prepared her for the guilt of disturbing a peace that was never protecting her.
Tune Neend Kharab Kar Di is the story of a woman who spent years losing sleep — for her marriage, for her parents, for her culture, for her children. It is a memoir of emotional erosion, survival in slow motion, and the quiet unravelling women are taught to hide.
From the nights Sonia left her children asleep to cry alone in her childhood bedroom, to the years she lived inside a marriage that had already ended, to the coma that forced her body to speak the truth her voice never could — this book traces the unseen years before the headlines.
The widely publicised divorce party is not the beginning of this story.
It is the eruption.
Built around a sentence many women grow up hearing in Indian households — Tune Neend Kharab Kar Di — the memoir explores how silence becomes survival, guilt becomes inheritance, and endurance is mistaken for strength.
What begins as a familiar phrase slowly turns into a lifelong instruction:
don’t speak too much, don’t ask for more, don’t take up space.
At the heart of the book is one question that refuses to be silenced:
“If I disturb their sleep, do I still get to keep my life?”
This is not a story about rebellion.
It is a story about survival — and what it takes for a woman to stop disappearing inside her own life.